CHOREOGRAPHER. TEACHER. ORGANIZER.

Guided by the wisdom and experiences of Black women, I compose dances that disrupt power dynamics and invite  radical vulnerability. Built on relational partnerships rooted in history and place, I collaborate with performers, Women of Color lead organizations, presenters, and designers to craft dance events that are clear and potent in their creative execution, and accountable to community partners.

CHOREOGRAPHER. TEACHER. ORGANIZER.

Guided by the wisdom and experiences of Black women, I compose dances that disrupt unjust power dynamics and invite radical vulnerability. Built on relational partnerships rooted in history and place, I collaborate with performers, Women of Color lead organizations, designers, and presenters to craft dance events that are potent and accountable to community partners.

MK Abadoo’s creative work exist at the crux of dance theater, undoing racism cultural organizing, and critical education studies. Combining classical American modern and postmodern dance vocabularies, neo-traditional Ghanaian movement, and social Funk styles,  Abadoo draws from the "tradition of black literature and art that unites past and present in unsparing dialog."

She is an assistant professor in the Department of Dance and Choreography at Virginia Commonwealth University (VCU), and a lead faculty member in the Racial Equity, Arts, and Culture Core of VCU's ICubed, the Institute for Inclusion, Inquiry & Innovation. She is considered a "Breakout star of 2018," as a member of Dance Magazine's annual 25 to Watch list of "rising stars" in the dance field. In 2017 she was honored as a Forty Under 40 awardee by Prince George's County Social Innovation Fund for her leadership and achievement in the arts, and commissioned by the John F. Kennedy Center for the Performing Arts to create a new work for their Millennium Stage season. As a 2016-2017 U.S. Fulbright Fellow, she recently conducted eight months of intensive creative research at the Noyam African Dance Institute in Dodowa, Ghana, and with the National Dance Company of Ghana, deepening fourteen years of collaboration with Ghanaian contemporary dance colleagues.

 

Prior to this period she performed for over a decade with internationally renowned dance companies and choreographers including Gesel Mason, Liz Lerman, Urban Bush Women, David Dorfman Dance and the Dance Exchange. As an educator, MK is sought out for her keen ability to facilitate group learning as unique communities of shared wisdom, and embodied knowledge. She’s worked with students as a guest artist at the University of Maryland, Brown University, James Madison University, East Carolina University, Dickinson College and the University of Virginia. She earned her BFA in dance education with a concentration in modern dance and a minor in strategic advertising from the University of the Arts. She also minored in African studies as an international student at the University of Ghana, and holds an MFA in dance from the University of Maryland. 

Angela's Pulse

KHamilton Projects

Gesel Mason

Urban Bush Women

 

Asia Wyatt, Company Coordinator & Dancer

Shanice Mason, Dancer 

Ama Law, Dancer

Madison Moore, Dancer

Sydney Parker, Dancer
Ciarra Phillip, Dancer

Jasmine Watkins, Dancer

Khalid Yaya Long, Dramaturg

Tricia Homer, Business and Community Partnerships Advisor

Sam Crawford, Sound Designer

Johnathan Alexander, Stage Manager & Lighting Designer

Collaborators/Influencers